Double Pump - the Apotheosis of Power, Control and Consistency?
So, you are taking a full backswing and a big swipe at the ball, you feel on balance, and you are hitting through, driving the racket head through the ball toward the target yet there is still a lack of control and no 'pop' on your ball. Sometimes your shots don't even reach your opponent's service line or fly off in unexpected directions. This type of play was pretty much the story of my life for the first 45 years of playing this game. Then one day as I was watching the finals of a tournament that spit me out in the second round, I noticed something queer. The A-players I was watching all seemed to take an extra backswing on every shot. I mean, they would bring their racket back, pause for the briefest of moments then take the racket back more just before bringing it forward. This extra backswing was not always that obvious when they were rushed, but it was always there. I later checked out some professional matches and, sure enough, the pros do the same thing. The pros are smoother than we are and their actions are quicker, but they appeared to utilize an extra backswing, a "double pump". I went out with the ball machine to try it myself and OMG! The immediate bump in both power and, unexpectedly, control was amazing. For a while I hoped that this might be the "secret of tennis" my El Dorado, my long-sought city of gold, but instead it was just another clue along the way, albeit an important one.
Why Two Backswings?
The purpose of the double pump backswing is to make a clear distinction between three phases or moves that must be present in the early preparation of any stroke, from the drop shot to the serve - a unit turn, a pose and a lock or backswing proper. The unit turn is the move during which one takes their body from the generic ready position to a unique pose that serves as the entry point for the desired stroke. In the unit turn of the forehand, the hitter turns from facing the court to a sideways stance. The racket doesn't change position relative to the upper body. Instead it moves with the shoulders "as a unit". During the unit turn the feet are constantly moving and adjusting and dynamic balance is consolidated. At the end of the unit turn the hitting arm, usually with the help of the non-hitting arm, is put into a stereotypical position that favors a smooth transition into the stroke - the pose. The pose signals the brain that the roughing-out phase of the stroke is over and that you are ready for it to "playback" the stroke sequence as soon as the incoming ball reaches enters the strike zone. When the ball reaches that point the second backswing begins. This second backswing is the lock or "backswing proper", and it usually comprises a small additional reverse-rotation be generated by the of the power sources of the body - the hips and shoulders, and a dropping of the anchor - setting the correct foot for pushing off into the stoke. In contradistinction to the unit turn, which is quick, violent, and sometimes messy, the lock phase is relaxed, smooth and subtle and there lies an important function of the double pump; seperating the distinct functions of strike preperation and stroke production.