SINS

SINS is a pnemonic. It is my first and last pnemonic - the Alpha and Omega of this entire 50 year project. I have never before used pnemonics as a tool in my lifelong struggle against tennis ineptitude because I was never sure enough of my understanding of the complex and varied vicissitudes of the game to boil it all down to a few key concepts. Now I am sure. 100%. I know what is important during a match, in a practice session, or when analyzing or encouraging a student. It is simply this:

    SINS
  1. Snap
      opposite
    • of swing or block
    • guarantees
    • impulse for directional control
    • originates
    • in the backswing proper (load)
    • trigger
    • back then forth
  2. Indirection
      opposite
    • of push
    • guarantees
    • spin for flight path control
    • indirection for pace control
    • originates
    • in the pose
    • trigger
    • stroke across - not through the ball
  3. Net avoidence
      opposite
    • of dumping the ball into the net
    • guarantees
    • that winners aren't wasted
    • originates
    • in the will
    • trigger
    • trust in topspin (or gravity)
    • notes
    • Never hit into the net! Ever!
    • No excuses!
    • No exceptions!
  4. Racket Head Speed
      opposite
    • of the puffball
    • guarantees
    • pace and spin
    • originates
    • from the lag in long strokes and load in short ones
    • trigger
    • comes from leverage not muscle

Feelings over Results

Ask any A-player this question: "During a game, which worries you the most; hitting a ball out or hitting a stroke that doesn't feel right?" I have asked this question many times of many fine players and the answer is always the same - it is the ball that doesn't feel right. The truly talented ignore thier own errors and winners and instead strive for something they call "feel". If a stroke feels right but misses the mark; it is fine - change nothing. If you hit a winner but the stroke doesn't feel good; it is time for a change. If this is the opposite of what you are doing, you are just like me for the past 50 years. This is why our best strokes always fall apart over time but the A-players, once they develop a stroke, seem to be able to hit it again and again forever. I once believed that A-players' ability to hold on to thier best shots was a static situation; better muscle memory or something. Now I understand that this stickyness is a dynamic process; a feedback loop that uses 'feel' to reinforce good stroke habits and extinguish the bad. Feel becomes the only goal, both short and long term. If you double fault a game away but each serve felt good; change nothing and care naught. If you strike a miss-hit that hits the line for a winner ... panic! Make adjustments! Forget about errors; focus on feel.

The SINS pnemonic codifies the four fundemental performance goals common to any tennis stroke. The term 'SINS' is important, because it emphasizes the necessity to achieve all of these results every time you hit the ball. Thus it is a 'sin' to hit into the net, fail to achieve racket head speed, fail to snap the racket or fail to hit with indirection. But negatives are terrible in tennis - they lead directly to Tennis Hell. To be useful, feel must be concrete and affirmative. How do you acheive snap? If you should not hit into the net, how high should you aim the ball? How do you go after racket head speed? What creates indirection? Obviously everything else on this site is designed to help we "special people" to achieve these goals, but all too often we believe we are hitting with snap, maximum racket head speed, appropriate indirection and proper ball trajectory but we just aren't. I am convinced that the ability to recognize subtle cues denoting success or failure to maintain proper stroking is an enormous component of talent.


How many times have you stuffed a serve into the belly of the net and complained that you thought you were aiming the ball well over the net strap? Is the problem really where you are aiming the ball, or did you simply not have enough racket head speed to clear the net? Perhaps you found yourself hitting forehand after forehand six inches long in spite of your intention to inject gobs of topspin into the ball? Are you hitting with insufficent indirection (low-to-high) or are you driving through the ball, i.e. not completing the 'snap' that releases stored rotational impulse? A-players in these situations resort to 'feelings' that tell them what is going wrong and how to fix it. They don't even have to wait to loose a point to start the repair process; they can sense when a stroke is going off the rails before the balls start flying out. Imagine how consistent you could be if you had that power!

Finding Your Feel

Feel is not what you think it is. Even the best players, the ones who claim that they base thier entire games around feel, struggle to define the term. I used to believe that feel was an undefinable, vague, throw-away term such that when you boiled it down there was nothing left in the pot. Now I am convinced that feel is a real, solid construct that is so complex that the talented simply find it easier to feel it than talk about it. Great for them, but thier inability to explain what feel is and how to recognize it and use it has severely ham-strung the rest of us.

The process used by the chosen ones is to identify and monitor data from several sources of relevant sensory information; sight, sound, vibration, pain, equilibrium, emotion, muscular tension, grace, and even the flow of time. They focus on these things to the exclusion of all else. They ignore the score, the importance of a match, the antics of thier opponents, the wind, the sun, the crowd, and the cacauphony of their own egos. In fact they are so busy keeping track of thier own feelings, they have no mind space left over for anything else. Thier entire beings are dedicated to getting the ball over the net, hitting accross the ball, generating racket head speed and creating control with 'wrist snap'. If you cannot imagine your mind being completely occupied by such things, just study the list below.

The ultimate benifit of focusing on feelings is that it establishes a positive performance feedback loop. Of course, the famous 'ball in or out' feedback loop that most of us dolts use is much easier, but it tends to reinforce a lot of bad stroking behavior, like pushing balls when they start to go long. Consciously we know that pushing the ball is a degenerate reaction to hitting long, but if the feedback - 'ball out' - is giving us no usable information about why the balls are landing out, so how are we supposed to react? By pushing the ball we are, in essense, blaming our underlying stroking technique, vis "I just can't seem to hit a forehand (today, this week, ever in my life)" so we stupidly revert to a simpler, less demanding stroke. What if there is actually nothing wrong with our basic strokes? What if is completely natural for tennis strokes to require constant tweaking to adjust for weather conditions, mood, fitness, hydration, exhaustion, bounce, opponent, and on and on? In that case, instead of abandoning a stroke completely at the first sign of failure, we should be performing constant maintenence on each of our strokes, insensibly collecting scads of data on each strike and making tiny adjustments regardless of whether the ball is in, out, or over the fence. I am NOT, repeat NOT recommending conscous thinking about anything during a match. To the contrary; if your mind is trained to be attentive to all of the important sensations that arise with each and every encounter with the ball there should be no room for rumination. At most, your internal dialogue should be limited to either "Ahhh!" or "Hmmmm."

    Positive Feedback
  • balance
      goals
    • solid contact with the court
    • power from the legs
    • fluid motion
    • strong first step
    • tweaks
    • bend your knees
    • keep feet moving (chirping)
    • constant weight transfer
  • vision
      goals
    • lazer focus
    • pathophysiology
    • inattention
    • feet not moving
    • solution
  • sound
    • ping or pop of balls on strings
    • chirping
    • the whirring of spin
  • vibration
      racket to hand at moment of contact
    • solid contact
    • loose grip check
    • center vs off center vs frame
    • the 'chunk' of spindirection
  • pain
      or injury
    • elbow/forarm
      • from pushing
    • low back
      • using the back to power the serve
      • over-twisting on groundstrokes
        • wrong stance
    • upper back
    • neck
    • ankles
      • feet flat on serve
        • torques ankle when body rotates
          • bend the knees - on toes
  • tightness
      goals
    • physical rigidity, limited range of motion
    • death grip
    • pathophysiology
    • interferes with power wave propegation
    • solution
    • relax
    • longer strokes
    • hit harder with more spin
  • anxiety
      goals
    • dark thoughts
    • avoidence behavior
    • self criticism
    • rage
    • pathophysiology
    • negative form of excitment
    • solution
    • flood the brain with positive thoughts
    • recast negatives as positives
    • reject self doubt in favor of faith
  • paralysis

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